Print Products
Structured for engagement
Print products may be text-heavy, but they can be just as versatile as digital communication. As a designer, it’s essential to create a system that adapts across formats while staying true to its core identity. Establishing a clear hierarchy helps readers navigate the content effortlessly, inviting them to engage more deeply. Like a carefully balanced shell, every element needs to protect and support the information inside while keeping the whole design visually appealing.
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Data, Sunny-Side Up
NEOS Lab – Laborbericht
For NEOS Lab, I worked on several printed projects, including the yearly Laborbericht: a visual summary of the organization’s work. The challenge was to turn dense information into engaging infographics and illustrations that guide the reader through complex topics. The design stayed minimalist to reflect the Lab’s scientific spirit, yet warm and optimistic. No dystopia, just a bright, data-shaped future.
2016-2019
Layout
Infographics
Well-Shelled Structure
Geschichte im Raum. Eine untersuchung narrativer Ansätze für cinematic VR
For the printed version of my master’s thesis on storytelling in cinematic VR, I designed a layout that makes navigation smooth and intuitive. The system highlights structure and hierarchy, helping readers quickly find what they’re looking for: from footnotes to specific chapters. This bookish wayfinding not only improves readability but also creates a visual rhythm across the pages. Just like in VR storytelling, orientation is key; and I wanted that idea to crack through the design itself.
2020
Text
Concept
Layout
Print that Cracks Expectations
Der Tunnel – Invitation
For viennacontemporary, I designed the layout for an invitation to a movie presentation. The challenge was to fit all the details onto a single page while keeping the key information easy to spot: a clear visual hierarchy to keep things smooth and well-shelled. On the back, long image strips from the film Tunnel form a cinematic corridor into the director’s imagination. To complete the series, I created a poster in deep blue and white, using geometric patterns that echo the movie’s abstract rhythm.
2016
Concept
Layout
